Russell Davies

As disappointed as you are
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About last nights

Moth Club NYE

For the first time in 1,000 years we went out on New Year's Eve, to an 80s night at the Moth Club. It was fun, but we felt a bit like actual roundheads or cavaliers attending a Sealed Knot reenactment. We were there the first time around. They'd accurately reconnected the aesthetics of the Albion Suite at the Coop functions rooms in 1983 but there's no way any DJ of the period would have played the Cutting Crew or Born in the USA during a dance set.

The music was 40 years old. It would have been like us dancing to Glen Miller. There's been some sort of compression in music culture. Represented by the fact that no one will ever produce a better record than And The Beat Goes On. 

It also made me nostalgic for that 80s thing where there'd be a 15-minute section in the middle of the evening where they played Status Quo and people did spreading.

UPDATE: I've just seen that Tom's mastodoned about the playlist I made to commemorate our 1996 NYE wedding. This is what we played on the night. No Bruce.

January 01, 2024 | Permalink

Interesting 2024

Here we go again.

Interesting 24 tickets are now on sale. Same low price, same great value.

It's a Wednesday evening this time. May 15th. Because Wednesday evening is the new all-day Saturday.

The Conway Hall. All that.

An announcement of speakers will follow in due course.

There will be a special gift for the first 100 people to buy a ticket.

December 21, 2023 | Permalink

Good on feedback

From Helen Lewis

"There’s a lesson in here for anyone who has a creative person in their life. I give notes for a couple of trusted friends, and I’ve learned that the worst thing you can do is impose yourself onto the work.

When giving notes, people tend to offer solutions: cut down the final act, set it on a submarine, blah blah blah.

No. Your job is to tell the artist or writer your personal, human reaction: I got bored two hours in, this character’s actions didn’t make sense to me. Then they can find their own solution. For instance, earlier this year I told a friend that I didn’t “get” the final act of a film and he sadly quoted back William Goldman’s rule to me: if you have an Act 3 problem, it’s really an Act 1 problem.

This also applies to editing journalism or books: saying “I don’t understand this” or “I think these sections are in the wrong order” and letting the author figure out their own solution is more useful than simply rewriting it to how you would have written it."

 

December 15, 2023 | Permalink

Just in case

I can't imagine that there's anyone out there still reading this blog who doesn't know I also do a newsletter. But, just in case it's you, here's the newsletter.

December 04, 2023 | Permalink

RAH / Dillon

The RAH band

One of the best things I've been to for ages. The RAH band. Their second ever gig. I only really knew them for Clouds Across The Moon, which I adore. But it turns out that Richard Anthony Hewson (the chap in the cap) has had quite a career. It was so very funky and danceable. 

Beatrice Dillon

By way of contrast I also went to see Beatrice Dillon. An almost entirely dark room. This was as well-lit as it got. The crowd really wanted to dance but Dillon seemed determined to frustrate them. She kept approaching dancable and then swerving away. Fascinating.

December 02, 2023 | Permalink

Midronald

This bit of Ronald Blythe rather reminds me of a Midjourney coming into view.

"Landscape artists begin a work by blocking in the major objects which stretch before them. October dawns work this way. First the featureless void, then the murky outlines of what this particular view must contain, then, gradually, gradually, all that exists on the other side of the pane."

December 02, 2023 | Permalink

Blog all dog-eared pages: Greene on Capri by Shirley Hazzard

It's been a while. Remember when doing this was a thing?

I loved this book, especially the little capsule capturing of people

"ON A DECEMBER MORNING of the late 1960s, I was sitting by the windows of the Gran Caffè in the piazzetta of Capri, doing the crossword in The Times. The weather was wet, as it had been for days, and the looming rock face of the Monte Solaro dark with rain. High seas, and some consequent suspension of the Naples ferry, had interrupted deliveries from the mainland; and the newspaper freshly arrived from London was several days old. In the café, the few other tables were unoccupied. An occasional waterlogged Caprese—workman or shopkeeper—came to take coffee at the counter. There was steam from wet wool and espresso; a clink and clatter of small cups and spoons; an exchange of words in dialect. It was near noon. Two tall figures under umbrellas appeared in the empty square and loped across to the café: a pair of Englishmen wearing raincoats, and one—the elder—with a black beret. The man with the beret was Graham Greene. I recognised him—as one would; and also because I had seen him in the past on Capri, at the restaurant Gemma near the piazza, where he dined at a corner table with his companion, and great love of the postwar decade, Catherine Walston. That was in the late 1950s, when I used to visit Naples and Capri from Siena, where I then spent part of the year. One knew that Greene had a house in the town of Anacapri, in the upper portion of the island, which he had visited faithfully if sporadically for many years."

"His only “exercise” was walking—and he had walked, in his time, across countries and continents—but his body had the loose agility that derives from a lifelong sense of being thin, lanky, alert, and tall."

"(Flaubert, in a letter of 1846, also felt that “to be stupid, selfish, and have good health are three requirements for happiness, though if stupidity is lacking, all is lost.”)"

"Graham discovered that Francis and I had met through Muriel Spark: “I don’t know her but I admire her writing.” He did not say that—as I knew from Muriel—he had regularly and privately sent money to help her survive her lean first years of writing fiction, the cheques arriving each month with, in Muriel’s words, “a few bottles of red wine to take the edge off cold charity.” Greene did similar good by stealth, over many years, for other needy writers—among them the Indian novelist R. K. Narayan, to whom he gave inestimable material and professional help. One gradually learned, through chance testimony, of financial and practical aid to friends down on their luck, and to charitable concerns where he felt interest and saw authenticity."


"A squat, categorical figure, formless in winter bundling, the Dottoressa had the rugged, russet complexion of northerners long weathered in the hot south, prominent paleolithic teeth, and memorably pale blue eyes."

"For even his enormous tolerance had certain limits. He loved life too well to have patience with puritans or fanatics. He was a gentleman and he disliked a boor."

"Out of a gothic north, the pallid children of a potato, beer-or-whisky guilt culture..."

November 29, 2023 | Permalink

Zabaleta's Law

I find myself explaining Goodhart's Law a lot. Wittering on about Russian nail factories. Which is probably unhelpful.

Fortunately, now, there's this bit from Expected Goals, Rory Smith's book about football data.

"Manchester City’s squad noticed that Pablo Zabaleta, their dogged and industrious right-back, had a habit of sprinting across the field during lulls in play. He had worked out that doing so helped him improve two key physical metrics: total distance covered and the number of high-intensity sprints he had produced. Others shuttled across the field while their own team was taking a corner. Tal Ben Haim, an Israeli central defender who played for both Bolton and Chelsea, won a reputation for playing endless short passes to his defensive partner to ensure his pass completion percentage was as high as it could be."

November 28, 2023 | Permalink

"The new election spending limits will mean ads. Lots of ads."

The Who Targets Me / Full Disclosure newsletter is always interesting. This episode particularly so. Well worth subscribing as we launch into 100% election madness.

November 28, 2023 | Permalink

Problem + metaphor = presentation

This is from the New Yorker:

"He's the latest in a long line of Schrader's troubled loners, stretching back to Travis Bickle, the Robert De Niro character in "Taxi Driver," which Schrader wrote and Martin Scorsese directed. Why all these disaffected drifters? "They say you never forget the music that was playing when you first fell in love, and that was the nou Abu Ghraib torturer. In music that was playing when I fell in love with cinema-that kind of agita,"

Schrader said. "You have a problem and you have a metaphor, and then you have a plot. When I wrote Taxi Driver,' the problem was young-male loneliness. The metaphor was the taxicab. Great metaphor! And so metaphor for a person who's been deadened by his own guilt is counting cards-it's a non-life. You see these commercials of people in casinos laughing and having fun. When was the last time you were at a casino and saw anybody laughing?"

"You have a problem and you have a metaphor, and then you have a plot." is great.

It's also a great way to do a presentation.

November 27, 2023 | Permalink

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