Russell Davies

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Radio

It's generally been a bad day for the BBC, but I happened across a couple of little bits of news that suggested some excitement for radio. A twitter from Phil Gyford pointed me at the new beta programme pages - a permanent, linkable page for every episode of every radio and TV programme, which is going to make BBC content way more accessible and easy to get at (especially handy for speechification). (more details from Phil here)

And then I noticed the iPM blog/site/stuff - a web thing with a programme baked in, or the other way round. It seems properly cross-platform. The tagline is 'the web in your ear'. Anyway, it's got good credentials, including Chris Vallance, who's a gent and did the only enjoyable interview I did on the ebcb book, because he knew what a blog was and didn't assume it was merely a stepping stone to a book. And it's got Eddie Mair, who's the only Radio 4 presenter with the lightness of touch and wit to cope with something as open and fluid as iPM might be. I suspect it'll be good. There are already some audio bits up and the radio broadcast is 5.30 on Saturday.  Perfect, just when Sports Report starts to get dull.

October 18, 2007 in radio | Permalink | Comments (0) | TrackBack (0)

tengu speaks

Tengu is good. Alan Bennett is good. So one via another should be brilliant.

October 17, 2007 in huh? | Permalink | Comments (0) | TrackBack (0)

coffee on friday

Badges2

As you'll see from the doodah on the left I'm thinking we could have a coffee morning on Friday. People have been emailing me to ask if they can come. The answer is Yes. The only rules are: anyone can come, no networking, just chat and drink beverages. Some previous coffee mornings are documented here. Just turn up at The Breakfast Club at 11 on Friday and say hello to whoever looks like a friendly crowd.

October 16, 2007 in coffee morning | Permalink | Comments (2) | TrackBack (0)

applied green

I talked at the Applied Green thing last week, along with Ben, Michael, John and other notables. Here are some of the thoughts.

But, first I should say, I'm starting to feel less and less comfortable about talking about this kind of stuff. Because it's clearly not something that's going to be resolved by anything that anyone in advertising, marketing, design, communications or any related trade does, even if they draw or think or imagine really, really hard. Talking about this stuff also means straying into areas that I'm supremely unqualified to talk about; economics, politics, climate science, philosophy, psychology. This is proper, important stuff. Debating the relative merits of electroplankton and tenori-on, I'm your man. Global consciousness raising, not so much. What gets me past that discomfort is remembering I'd rather being doing something than nothing, even if it's not much of a something. Anyway. On with the show...

Crass

The most humiliating experience I've ever had on stage (apart from being caught miming once in a West Midlands Battle of the Bands competition) was being asked to debate globalisation with Penny Rimbaud from Crass. I knew I was onto a loser from the start but my boss made me do it and it was horrible. We were so screwed because they were living as far outside capitalism as it's possible to do these days. They'd rejected the whole thing; this gave them unassailable authority and logic - capitalism's the problem, get rid of it. That's really hard to argue with. And, in my heart of hearts, I suspect they might be right, and I suspect  that one day conditions will be so obviously severe that that kind of radicalism will be forced on us. 

Capitalism

Until then though, the only problem with the outright rejection of consumer capitalism is that no-one will do it. I see no evidence that the world is about to give any of that stuff up, so we're left with the shoddily compromised goal of trying to reinvent it. And that's always, always fraught with contradictions, hypocrisy and compromise. There's nowhere you can stand in this process that's not a full of contradictions. It's not like it was working perfectly for the global population before this latest crisis comes along. So whatever you do someone will accuse you of being naive and incremental and someone else will accuse you of being naive and hysterical. Which is why I applaud anyone who does anything in this field, because it's not a way to get popular.

So, there we are, the lofty goal; reinventing consumer capitalism. By which I guess I mean, that it's the responsibility of the rich countries of the West to create a version of consumption that's both completely sustainable and glamorous and attractive enough that the rest of the world will want to adopt it instead of the excessive 80s version that seems to be in vogue right now. Because, as we've previously noted, unless something drastic happens they're not going to buy any version that doesn't include nice cars and many fridges. And they're certainly not going to take any preaching from us.

Grid_2

OK. I thought I'd try and talk about something from each of these areas.

Unproduct

This is the most abstract and global issue. It's a thought about a way that what branding and marketing has always been good at can be transformed from part of the problem to part of the solution. But it's by no means a finished idea. As New Labour might say it's an aspiration towards an idea.

Newstuff

Let's start here. What branding and marketing has always done is use ideas, images and information to make people want to buy new stuff. (Or encourage them to buy new stuff A rather than new stuff B, depending how Packardian you want to be.) That, of course, is a core contribution to screwing everything up. Generating a constant stream of new stuff turns out to be an unsustainable way to behave.

But I'd also argue that advertising/marketing doesn't create this need to consume. It encourages and directs it, certainly, but we have to accept that people seem to like to consume things. Neither did it create the desire to make stuff, which is equally part of the problem, and equally seems to be hardwired into us.

So the question becomes; can we use our powers for good rather than evil? Can we encourage and direct desire in a way that satisfies people's desire to consume (and therefore allows businesses to charge them money for something and keep the wheels of capitalism turning) without creating endless torrents of new stuff.

Oldstuff

The first obvious approach here is to deploy ideas, images and information in such a way that we can get people to re-love the stuff they already have. Or revalue it. The obvious route is to increase the value we put on repairability, on long-life, on the patinas and beauty of age. If this is to make commercial sense it means people have to be willing to pay a premium for things that last, or at least prefer them to things that don't. This isn't new. Reliability and durability have been around for a while (obviously). But we need we to re-present them if we're going to make them interesting and appealing to people.

Dave mentioned something Howies are going to do that brought this to life really well for me. They're going to make a hand-me-down jacket that they'll guarantee will last for ten years. And when they sell it to you they'll put some fabric and buttons aside so if it needs repairing they'll have the stuff they need to do it. This is great because - a. they're taking responsibility for the jacket (they're not just sending you the buttons and expecting you to hang on to them for ten years). And - b. it makes for a more interesting story than 'this is a long-lasting jacket'.

But, as you can tell, I've not really worked out what this idea looks like in advertising and marketing. In technology it looks like a spime (video introduction to spime here). And the Wattson's got something of it (more here). But I've not found the formula I want - some communications thing which can get someone to relove something they've owned for a while - in exchange for cash. I think it might be like a video-game easter egg in the real world - something baked into the product that reveals new delights over time. But that's released by communications somehow, so it doesn't have to be in there when the things made. (??) Oh I dunno. I've been chronicling things that are in the right territory or at least hint at some possibilities here. The connections might seem vague (or completely invisible) but I'll try and draw the threads together sometime. (And credit to Matt who made up / introduced me to the word Unproduct which is a really useful idea.)

Ideasetc

And finally, of course, the ideal would be to eliminate the need to produce carbon-producing stuff altogether, so that the gaping maw of consumption is sated entirely through the consumption of ideas, images and information. Obviously that's what a lot of media businesses are doing now. That's what they are. But I wonder if it's possible for more businesses to make themselves virtual/digital. (Not forgetting the Second Life / Average Brazilian dillema.) Maybe that's the essence of the sustainability challenge for many businesses - do they get lighter (digital, light-touch, un-corporeal, virtual) or heavier (longer-lasting, higher-quality, more repairable)?

Anyway, as you can tell, I've not really worked out what I think about all this stuff. You can just about breeze past the inconsistencies in a presentation but writing this has made me realise how much more thought is required. Anyway. On with the music...

Hybrid

Oh. This is just an aside really. Pictured above is a hybrid vehicle. Which reminds me that product designers have got a long way to go if they're going to deliver green products that people want to buy. They seem to have escaped the mud and dirty knitting aesthetic that dogged sustainable design for so long, but now everything green has the kind of smug refinement of something like a Prius. There are more aesthetic territories out there; stuff people like, like sex and death and big wheels. Not everything needs to look like a beautiful leaf. Aside over.

Unbranding

This 'un' thing isn't quite working. It works for unproduct. It's interesting for unproduct, but I don't really mean unbranding here. If anything I mean less branding. And I definitely don't mean 'uncompetitive' in the next section. It's just one of those things that seemed good at the time and helped hang a presentation together.

What I mean is this; advertising and branding is not going to solve this problem. Even if we use Ben better we're not going to solve this problem. It'll get solved by governments, by large organisations and by mass democratic action. I think we should mostly do what we can do as citizens and resist the temptation to go and create new logos. There's enough of them already, and it's a confused enough ideas marketplace already.

I'd really respect a brand organisation that said 'you know what, Marks and Spencer's Plan A stuff makes sense to us, we're just going to do the same as that, we won't bother inventing our own nearly identical programme and logo and launch pack, we'll just use theirs'.

And I'd really, really respect a creative team that said 'you know what, the biggest contribution we can make to easing global warming is if we can help British Gas increase the penetration of their most efficient boilers, so rather than volunteering to make some cool, and potentially award-winning film, about sharing a bath or something, we're going to do pro-bono work helping British Gas with their direct mail'.

Failing all that unlikely surrendering of ego, what about someone who just decided not to invent a new brand or a new programme but simply decided to support something existing and interesting like walkit?  Take a little percentage of your 'green budget' and sponsor walkit or something similar. You'd actually achieve something useful then.

Uncompetitive

Right this is way too long already. This is the last bit, I'll finish it off soon.

October 15, 2007 in unproduct | Permalink | Comments (16) | TrackBack (0)

bungee

1572596360_8f7f4156b4_b

We went to Legoland yesterday (had a brilliant time) and I accidentally took this picture of Arthur on the bungee bouncing things. It seems to me to sum up all the joy of being seven, so I thought I'd share. It's a nice thing to think about on a Monday morning.

October 15, 2007 in arthur | Permalink | Comments (7) | TrackBack (0)

studying graphic design

Parking

My nephew has a question. He's got to do his ucas applications and work out where he wants to go to uni (as the young people say). He's pretty committed to doing graphic design and he's wondering if anyone has any advice on where would be good places to go (in the UK). I suspect some of you design folk pop by here when Ben's not posting enough so if you could share any thoughts that'd be great.  Then, once he's studied hard he'll be able to tell which of the above parking signs is the best.

October 09, 2007 in huh? | Permalink | Comments (19) | TrackBack (1)

interesting south

Bunting

Emily has an announcement for anyone who's going to be in Sydney on November 22nd and fancies getting themselves some interesting.

October 07, 2007 in interesting2007 | Permalink | Comments (0) | TrackBack (1)

block ice and propane

Eustonroad

Obviously what radiohead have done is significant and laudable, but they're a big, rich successful band. They can do what they like. What's more encouraging about the internet and music are the ways that the smaller bands and less well known musicians can find new ways to have careers and offer their music. One lovely example is this site from Erik Friedlander, promoting his Block Ice and Propane album. Except promoting's the wrong word, it's more a site that 'fills out' the album with pictures, stories, remixes and atmosphere. And it too, offers you various ways to buy.

I came across it on this Studio 360 show loosely themed about road-trips and it does seem to nicely evoke the spirit of the drive, both the solitary night-drive and the country jaunt. He gets great noises out of his cello and the atmosphere is somewhat similar to what The Portico Quartet do (and they've got a new album out soon too.) It's worth having a listen.

October 06, 2007 in audio | Permalink | Comments (1) | TrackBack (0)

studio 360

Audio_2

I've enjoyed catching up with the Studio360 podcast today. A couple of bits caught my ear. This show has a great interview with Herbie Hancock, which reveals how his training as an electrician helped his career and how Maiden Voyage (which he'd say is his best piece) was written as soundtrack for a Yardley Cologne ad.

And Ben'll like the feature in this show on the redesign of the font for the US interstate sign system. Graphic design saving lives, that's what we want.

October 06, 2007 in radio | Permalink | Comments (2) | TrackBack (0)

jennifer at interesting

Here's one of the last bits of Interesting that doesn't require some tricky editing (like what am I going to do with Lloyd's bit?) and I know it was a favourite 20 minutes for many people. It's Jennifer Lyon Bell (with Jeffre) offering 9 Tips For Making A Better Erotic Movie.

I wonder if the words 'erotic movie' are going to attract a different flavour of comment spam.

October 05, 2007 in interesting2007 | Permalink | Comments (0) | TrackBack (0)

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