Russell Davies

As disappointed as you are
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Counting not connecting

I'm sitting outside Bar Italia in Soho's fashionable Soho. According to Swarm this is the 600th time I've been here. It's more though, obviously. I first came here in the 80s. I still like 'checking into' places. I like counting things like that. I like the sense of scale and tempo it gives me. I know we're all more and more aware of the pernicious effects of digital tools but I, at least, still like the tally-stick capabilities of the little pocket databases we carry around. I like that I can count things. I use Streak to monitor occasional minor medical occurrences and to remind me to take my statins. And to nudge me into writing every day.

My mother-in-law is visiting at the moment. She loves her newly acquired Fitbit. We were comparing notes about steps this morning over cereal and we agreed that counting steps occasionally nudges us both out of the sofa, but it never occurred to either of us to 'become friends' on Fitbit. That's not the point. Somewhere along the way all this counting, these notches on sticks, got intermingled with community and connection and competition and gamification. Counting became sharing became sousveillance. Now, rightly, we're running from that. But that doesn't make the counting worthless. It reminds me of what Nat and Dan wrote about Bulletin. I want a device that's smart but not connected. For counting.

November 19, 2017 | Permalink

This week in references: central heating, shybot, the earth dies screaming

November 17, 2017 | Permalink

Tabs and margins

Today's newsletter is below. Not a vintage issue TBH. I was excited when I was writing it in the cafe, scribbling in my notebook. It seemed interesting then. As it moved from notebook to Simplenote to Tinyletter it seemed to get more and more stilted. Ah well. It's OK.

Since it’s NaNoWriMo I too am not writing a novel. Instead I’ve been devoting a bit of time each day to getting down some more thoughts about PowerPoint, to see if there’s a book there.

Yesterday I was wondering why I like it so much. Apart from my contrariness and that professionally I’ve had to become reasonably facile with it, why do I find it so fascinating? One reason is that nothing so accessibly combines live performance, design, imagery and words. A really good PowerPoint presentation combines the visual and narrative assault of a movie with the unpredictable thrill of a gig. (I’m not talking about every presentation here, you understand, I’ve seen a couple this week that were definitely not Citizen Kane meets Live At Leeds.) Thinking about this always reminds me to try and watch Swimming To Cambodia again. I’ve not seen it for, maybe, 20 years, but in my head Spaulding Gray’s performances did a lot of what I imagine a great presentation does - did he ever use PowerPoint? I doubt it.

A great presentation combines some obvious things - performance and improvisation, great writing, good image making and/or selection, but also some subtleties. You’ve got to design a series of great posters, that’s what your slides are, and you can make different typographic decisions on every slide. Books don’t normally allow for that. You can say things with the development of your type, you can hide things in the backgrounds, you can bury tiny messages around the edges of your main point. You can incorporate music and video in all sorts of interesting ways. Then there are the little executional things that most people forget - what do you put on the end slide? (Often the one that stays up the longest while the Q&A drones on.)

So, speaking of Tiny Interesting Things About PowerPoint, have a look at this presentation by Bret Victor. The actual content is fascinating, but you’ll see that he’s through about one of the interesting little challenges of presentation design - how to communicate how far you’ve come and how far there is to go. He’s done it with little tabbed graphic chapter headings at the side of this slides. (There’s a good view at 11.07) I think that’s elegant and interesting.

Anyway.

November 05, 2017 | Permalink

October 2017

October 2017 from russelldavies on Vimeo.

October 31, 2017 | Permalink

This week in references: machines, fire, cars, homes

October 27, 2017 | Permalink

10 years ago, 5 years ago

Ten years ago this week my boss at Nike said this to the New York Times:

“We’re not in the business of keeping the media companies alive,” Mr. Edwards says he tells many media executives. “We’re in the business of connecting with consumers.”

I used that a lot in presentations over the following few years, trying to make the point that a company had been historically very good at advertising was very willing to walk away from it. It's the moment that really convinced me that smart corporate attention would eventually but inevitably move from a relationship via marketing to a relationship via services.

This is not happening quickly. I suspect it's happening in the way that Hemingway describes how one goes bankrupt: "Gradually, then suddenly".

Five years ago this week GOV.UK launched.

My only real contribution was to make sure we didn't spend any money on advertising it. That seems to be going OK.

(I am also quietly proud that they're still saying Simpler, Clearer, Faster)

GDS

Screenshot 2017-10-18 17.51.17

Screenshot 2017-10-18 17.55.23

 

October 18, 2017 | Permalink

This week in references: search, strategy, eyes

October 13, 2017 | Permalink

City Snacks

City Snacks

City Snacks closed over the summer. For a long time it was a place I walked past occasionally. I popped in to cover it for A Good Place for a Cup of Tea and A Think. But when I was working at GDS it was just around the corner, 10 minutes walk, just the right distance to be a bolt-hole, a retreat. I came to love it. The people, the atmosphere, the food. We gossiped here, we made plans, we cursed the system and marvelled at the determination of our colleagues.

city snacks

I think this was us designing these. 

city snacks

This was probably Matt making them better.

City Snacks in The Cuckoo's Calling

Oddly, just a few weeks ago it popped back to life on the telly, as a location in The Cuckoo's Calling. I hope they got a last bit of decent money from the fee. Used it to have a proper holiday. When I'd first seen the place was closed I wasn't that worried, they always used to close for quite a long time over the summer, go back to Italy. I admired that. I thought that was happening again until that dry-cleaning sign appeared.

2016c

Mostly though I just remember sitting here, writing optimistic notes about work that mattered, for stuff that had a chance of actually happening. That's proven to be rare in the world of 'digital transformation'.

2016

Those red tables were gorgeous. Highly instagrammy.

2014

And there was always a little odd thing to notice.

2012d

Ah well. City Snacks is now on EBCBrevisited and will be in tomorrow's Afternoon Slow.

2013

I need to find another cafe.

2015c



October 07, 2017 | Permalink

September 2017

September 2017 from russelldavies on Vimeo.

October 01, 2017 | Permalink

This week in references: two systems, counterfeit, ethics in the AI age

Cennydd Bowles: Ethics in the AI Age from Interaction Design Association on Vimeo.

September 29, 2017 | Permalink

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