Russell Davies

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Choronzon Uber

Please find below this fortnight's tinyletter...
 
TfL's decision to try and rein in Uber reminded me of a thing I wrote for Wired a couple of years ago. I was one of a bunch of writers asked to contribute to something about 'what we can learn from Uber'. I wanted to write a straight-forward 'don't be an evil arse' piece but was persuaded to moderate it somewhat by an editorial team who were after something more Yay Future! and friends who found (and still find) Uber incredibly cheap and convenient.

(That phenomenon is best exemplified by a quote from a respondent to Doteveryone's research: “I’ve been punched in the face by an Uber driver but I still use it because it’s the easiest.”)

Nevertheless I still managed to summon up a few convictions and pointed out that, irrespective of the actual ethical position, giant avaricious corporations eventually need people to like them. And that part of being liked means having some sense of connection to something beyond 'the market'. There's an Overton Window for regulation too, if you're not close to it even regulators who are inclined to flex in favour of innovation will be forced to act. Getting in the window means being seen to engage with civic society.

In the piece I talk about my time working with Microsoft when they were sued by the DOJ. After the suit they hired a battery of lobbyists who had two pieces of advice. 1. You should pay your lobbyists lots of money. 2. DC hates you because you're unusual, you're not like other businesses they've come across, you appear to have different behaviours and motivations, so they don't know how to deal with you.

The advertising brief we eventually got as a result of these machinations was fascinating; make Microsoft feel exactly the same as every other corporation in America. We produced an ad that made computing part of the American dream; astronauts and babies using software. I seem to remember it ran all day every day for a year, but only in DC.

Every now and then I try and find it on YouTube, but there's nothing. I wonder if that's sinister.

(There are currently 333 of you. The number 333 is used to represent Choronzon, a demon used in the mystical system created by Aleister Crowley. "An experimental multimedia project named Choronzon has existed since the late eighties, beginning as two separate and unknown cassette-culture projects, one from the west coast of the United States and the other from the eastern USA. When the internet made each project aware of the other, they fused these into one project." wikipedia)

September 24, 2017 | Permalink

This week in references: jerboa, graphs, pancakes

September 15, 2017 | Permalink

New media

Here's the latest tinyletter. I was supposed to do one two weeks ago but I was on holiday. Not doing one while on holiday feels like the right idea.

Newsletter...

A few weeks ago I was interviewed for a BBC radio programme about PowerPoint. I was slightly reluctant to do it. I worried it would be another programme in the genre I think of as "Journalists and academics discover and ridicule things everyone else has been using for years and have thoroughly understood without their assistance". It's not that.*

It does track uncannily close to the shape of the article I wrote about PPT for Wired, but I guess that's fair enough.

In related news Ella has written the definitive and canonical post about Doing Presentations for DoingPresentations.com

PowerPoint created a genuinely new and powerful form of human/media interaction, I like noticing those.
And here's another one. A family broadcasting from their living room, enjoying a glass of wine, watching telly, and doing an extended, immaculate DJ set of some classic Old School Funky House. I love this.

(There are currently 306 of you. The number 306 does not have a page on Wikipedia but you can ask for it to be created. Non-intuitively the Peugeot 306 replaced the 309 but, more sensibly, its place was eventually taken by the 307)

​*Obviously, now I think about it, I've probably contributed to the genre quite a lot myself. 

September 10, 2017 | Permalink

This week in references: Islamic art, old school funky house

September 08, 2017 | Permalink

August 2017

August 2017 from russelldavies on Vimeo.

September 01, 2017 | Permalink

This week in references: layers, injury, softness

4layers deep from Justin Lincoln on Vimeo.

August 25, 2017 | Permalink

This week in references: Oscar, Sebastian, Laura and Wool

August 18, 2017 | Permalink

Watery

Because you people are special, this is what will be in the email later...

Joanne McNeil's lovely criticism nudged me into reading New York 2140 and I'm really glad. There are themes that many here would enjoy; dark pools, cities, air ships, New York topography, disaster, submarines, dredging, a plausible end to late stage capitalism. And the watery themes of the novel seemed to seep into the way I was reading it. The Kindle/iPhone/Echo/Audible infrastructure is now sufficiently oiled that I was sliding easily between reading text, listening to the audio or lying in bed muttering 'Alexa, play audible' and the book just carrying on where I'd just finished reading. It felt fluid.

It made me wonder what London would be like under another 50 feet of sea level and, of course, Stamen had the answer. And it reminded me of my own tiny speculations at Russell Square Farm, a twitter account I've been occasionally adding to since the summer of 2012. My only rules are I can only update it when I'm in Russell Square and I'm not allowed to look back at the stream to remind myself of the story. So there is no story.

(There are currently 269 of you. 269 is the area code for Kalamazoo which, due to its exotic and euphonious name has ended up in more songs that the average place in South Western Michigan.)

August 13, 2017 | Permalink

Wired Acknowledgements

Wired have been kind enough to print a thing I wrote.

It's at this URL apparently.

(I'm always too scared to actually look at these things when they appear, I get very anxious about things appearing on platforms I can't alter, it's so irrevocable. Plus there's all the worry about what headline it might have on it).

Most things I write are the products of conversations I've had, I do very little original thinking of my own but it's particularly true for this one.

And a while ago Mark pointed out on twitter the good thing that Ethan Marcotte does at the end of this blog post, thanking the people who've helped him write it.

So, acknowledgements;

Tom Stuart is responsible for reminding me of the term Charismatic Megafauna, which I love. And the undervaluing of domestic technology first struck me through Kim Plowright's talk at Interesting 2008. And the washing machine became the hero of the piece because of many conversations with Rachel Coldicutt.

Thanks to them.

I wish little columns/pieces like this could really have acknowledgements. They'd become a really interesting form in themselves. Like indexes.

August 08, 2017 | Permalink

July 2017

July 2017 from russelldavies on Vimeo.

August 01, 2017 | Permalink

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